SPRING 2019 / RELIGION, ETHICS AND LITERATURE: TOLSTOY’S ANNA KARENINA / HC 421H / STEVEN SHANKMAN

Leo Tolstoy (1828-1910) is one of the greatest and most influential masters of the novel. The Russian literary classics of the nineteenth century, including the novels of Tolstoy, made a profound impression on Emmanuel Levinas (1906-1995), perhaps the greatest modern philosopher of the centrality of ethical obligation to what it means to be human. We will carefully read Tolstoy’s Anna Karenina, paying special attention to what the novel has to say about ethics understood in Levinas’s sense: my inescapable responsibility for a unique and irreplaceable other. We will read Ethics and Infinity, a reasonably accessible and brief series of interviews with Levinas, and we will look for connections between Tolstoy’s fiction and Levinas’s thought. We will consider how Anna’s otherness is sacrificed, in Tolstoy’s novel, to a notion of religion that is divorced from ethics, a notion of religion that Emmanuel Levinas labels as “primitive”: “Everything that cannot be reduced to an interhuman relation,” Levinas writes in Totality and Infinity (79), “represents not the superior, but rather the forever primitive, form of religion.” Anna’s husband Karenin’s dogmatic – and, perhaps paradoxically, at the same time “primitive” – understanding of Christianity makes it impossible for him to hear Anna’s voice, to see her face, to register her otherness, her alterity. Tolstoy’s critique of conventional religion as a silencing of lost voices is sounded again and again throughout the remainder of his career as a writer and thinker.

This is an Inside-Out class: half the students (“inside” students) will be those who live inside OSCI and the other half (“outside” students) will be from UO’s main campus.

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